こわすことは、きもちいい。 Break Things Feel Good. 参加者は黄金町界隈から集めた陶器を、吹き抜けの3階から1階に落として割り、アーティストはそれらの破片に対し、金を施しながらも修復せず破片の山に戻す「金継がない」行為を会場に滞在しながら続けます。 Participants drop a ceramic collected from local neighborhoods from the third floor into the atrium to break. During the exhibition, the artist stays present, applying gold to the broken edges without joining them back together ̶ an ongoing act of “Un-Kintsugied” ̶ and returning[…]
AWASED : Dialectical Interpretations and Contradictions in the Void 「AWASED : 「空 (Void)」における弁証法的な解釈と矛盾について」は、「空（Void）」を巡る哲学的探求を紹介するレクチャーパフォーマンスと、コンセプトを実践するワークショップを組み合わせた作品です。日本語文法がもたらす曖昧さを出発点に、空間における存在と関係性の揺らぎを文化的視点から浮き彫りにし、矛盾を内包する自己を再解釈します。ワークショップでは、参加者自身の身体と感覚を媒体に、自己と他者、そして身体と空間との曖昧な境界と関係性を探りながら、新たな視点を模索します “AWASED : Dialectical Interpretations and Contradictions in the Void” is a work that combines a lecture-performance introducing the philosophical exploration of the “Void” with a workshop that puts these concepts into practice. Starting with the ambiguity inherent[…]
Photo-by-Liu Shujia
Game:AWASEed is the participatory performance which create dynamics between salt, sound and body movements. Photo by Jan The / Joris van Dorp Schuitman
I facilitate workshops where participants experience this concept through body movements and linguistics, focusing on a variety of contradictions on both personal and social levels, and regarding those contradictions as potentials instead of problems. Participants perceive “contradictions” as negative, but when not consciously deliberating their actions, their bodily movements become[…]
Awase – Performance experience to enjoy contradiction The archetype of “play” in Japan can be traced back to “awase”, the act of “matching” – of placing dirrering object with or against each other to bring about pleasing results. In ancient times, players on opposing side would each present an object[…]